Tag Archives: nature

By Death

By Death
By Pattiann Rogers

In that moment she became two, one sitting
among the red flags of the blackbirds
in the reeds, the other standing fixed
like a poplar in a fence of poplars.

In the next second, there were four
of her, one watching evening from the sill
beside the bed, another laced through the night-
spaces between the fireflies.

In a further splitting, she was eight,
and in the next sixteen, one blue
by paper lantern, one amethyst by evening
smoke, one ringed like ice by a winter
moon, one ringed like a lily pond by rain,
one marked by murder, one veined
by acquittal.

And there were thirty-two of her then
and again sixty-four, and she was simultaneously
over a plain of summer cress and under
a reef of evening coral, within a knob
of shyster thistle, within a bud of thresher
shark, sailing by roots of bony fish,
soaring by fins tamarack and phlox.

With the next turning she became
a hundred and twenty-eight of himself, groomed
the horse of Orion, dwelled in the light-remnant
of Vela.  She was wind through the scaffold
of pity, a nesting owl among the eaves of praise.
Then two hundred fifty-six– she was stone as well,
and zephyr, then legion, then too various
to be reckoned, too pervasive to be noticed,
too specific to be named.

from Firekeeper: Selected Poems

 

Wayfinding

If you like to spend time exploring outside, chances are you’ve at some point wandered off trail or gotten disoriented enough to experience that frantic, heart-buzzing feeling of being lost. I know I have. The first time I felt that panic was on a teenage backpacking trip in the blue ridge mountains. I took Stanley, our latrine-digging spade, on a too-ambitious ramble in search of privacy, and nearly lost my group, and my mind. I can still recall the relief of hearing their voices calling my name. Damn that Stanley. Since then I’ve been disoriented in white-out blizzards, and stumbled around in high brush off trail, but I’ve never really been dangerously lost without a map and compass.

Retracing your steps, looking for landmarks, hiking to a high point, or even following the flow of water may get you out of the woods (literally), but there are lots of other options — including using birds, trees, and celestial bodies — to consider when wayfinding.

Check out Atlas Obscura’s gorgeous collaboration with expert nature navigator Tristan Gooley and illustrator Chelsea Beck and learn a thing or two about wood craft!

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The Bees

Like Margret Atwood? Enjoy The Hunger Games and Animal Farm? Get excited about bees, putting honey in your tea, and rebelling against The Man?

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Then allow me to recommend some winter reading!  Check out my latest book review in the January/February 2015 issue of Orion Magazine

It’s a great issue — Tony Doerr, Jane Hirschfield, David Gessner, BK Loren, a sweet photography portfolio on enchanted Russia, and an awesome special section on prison writing and art workshops, and, as always, some good book reviews…

The Bees
Laline Paull
Ecco, 2014. $25.99, 352 pages.

It’ s hard to be an individual when you’re born into a society whose motto is “Accept, Obey, and Serve,” but Flora 717 is special from the start. Born to the lowly sanitation caste, she’s “obscenely ugly,” “excessively large,” and yes, a honeybee. So opens playwright Laline Paull’s dystopian debut novel, The Bees.

Although her hive unquestioningly values only hard work, self-sacrifice, total obedience, and cult-like Queen-worshiping, bold Flora is caught between this ingrained dogma and her own curiosity. Able to speak while her fellow caste sisters cannot, she is tolerated as somewhat of an experiment (a rare thing in this totalitarian state) and is soon allowed to survey hidden parts of the labyrinth hive as she moves in an unprecedented progression up the ranks, from janitor to nursery aid to morgue tender, and finally to forager. As one of the hive’s nectar gatherers, with their “blazing faces and radiant ragged wings, who smelled of no kin but the wild high air,” Flora gets caught in storms and love-drunk on nectar. She battles and avoids wasp, spider, and bird enemies collectively known as “The Myriad,” and evades the hive’s Gestapo-like fertility police, continuously proving her strength and wit, even as she hides an unthinkable secret.

For like any good, self-congratulating cult, the hive is wrapped up in the political
intrigue of its own staunchly enforced caste system and prophetic dogma (“Our mother, who art in labour, Hallowed be Thy womb . . .” ). Pheromones are pumped out like opiate incense to mollify the masses, and any anomalies are swiftly eliminated. This is no place for funny business. So when Flora starts getting a strange feeling in her belly one day, she’s justifiably shocked and
horrified to find herself laying her own egg in a place where “Only the Queen Shall Breed,” and an offense to the contrary is not just mutinous, but a blasphemous death sentence. And yet, Flora is overcome with this awakening new love she feels for her offspring, even as the feeling mingles with her own guilt and betrayal.

Paull’s sensuous writing and contagious fascination for her subjects provide a sturdy anchor even when certain plotlines wear thin and peter out. What might have felt like a gimmicky writers workshop exercise never does, and it’s a compelling way to learn, for instance, how honeybees secrete wax from their abdomens, feed royal jelly to their larvae, and swarm enemy invaders, cooking
them to death with their collective body heat.

Apis enthusiasts will recognize the foragers’ famous waggle dance,
described here as a raucous Dance Hall affair where sisters congregate to learn of good foraging spots in vivid detail. Of particular interest are the drone
male bees or “Your Malenesses,” who are depicted as ridiculous, if not humorous, gluttonous sex fiends, exhibiting none of their sisters’ restraint, yet setting all of them a titter — that is until they no longer serve their purpose come fall, and are turned on and torn to pieces in a grizzly scene straight out of The Bacchae.

Although we know the hive is beginning to fail, big environmental issues like
pesticide damage, ecosystem destruction, and colony collapse disorder are only hinted at. Still, The Bees shines a compelling and imaginative light onto a complex animal society that often goes unnoticed. Readers will never again blindly spoon honey into their tea without thinking of all that went into filling the jar.

— Kathleen Yale

Of a Feather

Wow, just look at what artist Chris Maynard can do with a feather…

Check out his gorgeous shadow boxes and Featherfolio here.

Feathers, Form and Function: New Cut Feather Artwork by Chris Maynard feathers birds

Feathers, Form and Function: New Cut Feather Artwork by Chris Maynard feathers birds